By Lyndsie Kiebert
Reader Staff
Last week, Reader Publisher Ben Olson and Editor-in-Chief Zach Hagadone shared their “dream” Festival at Sandpoint lineup in lieu of a real 2020 schedule, since the event has been canceled for the year.
This week, it’s my turn.
Week 1
Thursday
My dream Festival opens with a double-whammy of timeless indie rock sound. Dawes kicks off the night with easygoing guitar riffs and crystal clear lyrics, thanks to frontman Taylor Goldsmith and his smooth-as-butter voice. Up-and-coming five-piece Mt. Joy draws from folk and jazz for a unique sound sure to appeal to Festival-goers of all ages and tastes, and is sure to bring the energy necessary to ring in Festival season.
Friday
You would find me sleeping in my car outside the Memorial Field gates three days in advance if The Killers were ever slated to grace The Festival stage. In reality, this won’t happen until it’s my children asking, “Mom, who the heck are The Killers?” In this scenario, it’s happening while the band is still creating rock music that feels like an invention each time an album drops. Hearing “When You Were Young” live on the lake would be a religious experience.
Saturday
It’s country night, and more importantly, it’s ladies’ night. Mark my words — Tenille Townes will be a mainstay of country radio in coming years. Her debut album The Lemonade Stand is gaining steam thanks to her classic country voice and gift for storytelling. Headlining this dream country night is incredible songwriter, vocalist and funny woman Kacey Musgraves. She’s trailer trash in her soul, but rhinestone-studded country royalty on the surface.
Sunday
Pedro the Lion is back from the dead and performing my dream Festival. The first part of that sentence is true — David Bazan has the band back together after more than a decade of solo recording. Pedro the Lion’s 2019 studio album Phoenix is a well-rounded compilation of stories from Bazan’s early life, and tracks like “Yellow Bike” and “Model Homes” would fit perfectly beneath The Festival tent.
Week 2
Thursday
There is no world in which rising pop star Halsey would play Sandpoint on a Thursday night, but this is my dream Festival, so she is. Coming off of her third studio album, the sassy, sad and strikingly honest artist is hitting her stride. I envision a live performance full of jubilant dance jams and angry sing-alongs — a detox for the soul, if you will. War Memorial Field wouldn’t know what hit it.
Friday
This has to be my favorite night of Lyndsie’s Dream Festival: female indie rocker night. Australian singer-songwriter Angie McMahon would open with her deep vocals and catalog of songs full of angst and light. boygenius would headline — the ever-so-magical combination of Phoebe Bridgers, Julien Baker and Lucy Dacus. Why choose just one incredible woman of rock when you could have all three? Bonus: They could also cover each other’s solo tracks. I’m on the verge of tears imagining it.
Saturday
Rockabilly artist Chris Stapleton would bring down The Festival tent with his infectious energy and powerful vocals. As a veteran behind-the-scenes Nashville songwriter, Stapleton penned tunes for George Strait, Luke Bryan and Adele, among many others. I have a hard time believing he couldn’t have given each of those songs a life all their own. It seems everything he touches turns to guitar-shredding, chorus-shouting gold.
Sunday
In closing, I choose an artist who was meant for the idyllic scene of The Festival at Sandpoint: Florence + the Machine. I actually saw Florence Welch and her band in a fancy concert hall in Phoenix in 2012, and I can confirm — that woman is a force. She belongs under the North Idaho stars, unencumbered by walls, and her listeners deserve plenty of space to dance and sway and feel all that her eclectic, soaring music has to offer.
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